Well - here's the tour as it stands. Here in Victoria we anxiously listen to the radio every morning to hear 'the numbers' and pray we'll be able to get out and about come July/August and then October and then November/December. It's just been so long since we've played any of the great venues that have been our bread and butter the past couple of decades. Lefty's? The Wheatsheaf? The Navy Club? The Camelot Lounge? Smith's Alternative? The Oxford? How we've missed you all. We've new songs to play, old songs to play, new merchandise, even a new line-up to introduce you to (more about that soon). There's so much water under our collective bridges since we last spoke. And so, it's all booked and good to go. We're good to go. Fingers crossed.
This is the second album we recorded while Melbourne was in lockdown mode last year. It started off as a simple covers record, but with nothing else to do it grew into so much more. Initially the brief was to have a bunch of songs that were within the five kilometre from home restriction zone. Before long I had quite a few songs from writers that hadn’t been released and there was any amount of my own back catalogue that seemed relevant. The weekend the grand final would have been played in Melbourne I was feeling so flat that it just seemed natural to want to sing a slow reflective version of Under the Clocks. The other great thing that happened during the recording was Jen Anderson coming on board and doing some amazing string arrangements. On Marcel Borrack’s Regent to Ruthven she really shone and this is my personal favourite for sure. I don’t think I would have ever recorded a song like this with such an arrangement had I been in a normal studio environment so I guess there’s something good to come out of a shitty situation. The Brian Nankervis read of Barry Humphries’ Suburbs in Between is also a fave of mine (let’s face it - you love them all or you shouldn’t bother in the first place). It’s a cracker and well worth holding up the release of the album for in my opinion. The first single off it is the Charles Jenkins song Keeping All the Cannons Clean. It features the full current line-up of the band plus Jac Tonks and Nick O’Mara so plenty going on. Every single track recorded in isolation. All mixed and mastered by Craig Pilkington in his shed. When the going get’s tough, the tough go out the back to record.
New Video Clip - Keeping All the Cannons Clean
Keeping All the Cannons Clean is the first single from City’s Calling Me and the brand spanking, cranking new video was Filmed and directed by Leigh Mackenzie in March this year. The whole shebang was done on location down at the Northcote cannons and I think it looks rather splendid. The band all kitted out in Salvo uniforms is a nice touch I think and Wally felt particularly touched by this as his Mum used to play accordion with the Salvos very regularly. We have been working on another animated one for Captain Collingwood and that is a beaut as well. Stay tuned folks. Click on the Youtube link at the side of the page which will take you to our own page which is looking pretty good these days - maybe even subscribe if you feel like it.
National Album Release Tour….
We've got a full national tour in July and the dates are all up on the 'Shows' page. It is with a fair amount of trepidation we program these dates as airfares need to be purchased in advance and at present with Bluesfest and some cancellations from private shows in WA last year I am holding nearly $8,000 in unused tickets that won’t last forever. Anyway there are a lot of beaut familiar venues in there with the requisite couple of newies and it will be so nice to get around and see all the old faces. It’s been way too long.
This is a project I began working on during lockdown #2. Best described as Vandemonian Lags part 3 it’s a series of short films - about five or six minutes each - commissioned by Roar Film, the company my brother Steve runs with his partner Kath. They are all centred around songs I have been writing in conjunction with Ben Salter and Clio Renner. As a general theme the films/songs are concerned with politicised transportation - convicts that were sent to Australia for crimes of a political nature - and also on the myriad examples if insurrection that subsequently took place. There’s to be a website and hopefully a full album soon enough. At this stage we are up to about seven songs. Ben Salter’s complete re-write mash up of The Catalpa is a thing to behold. Clio has done a remarkable construction of a poem published by an Irish woman who wrote under the name Eva of the Nation. The one brief we were given musically is for it not to sound too folky or traditional as they wanted something that wouldn’t sound totally foreign to modern day school kids. Consequently we have programmed the whole thing which has been a bit of a revelation for me. I’d go as far as to say that we have become the leading practitioners of historical based low-fi electronica in the country.
Little Murders Tribute Record….
We are chuffed to be have been asked to record a Little Murders song for a European label that is putting a tribute record together. Little Murders is a Melbourne band that began back in the 80s. Initially they were at the vanguard of the mod scene that was big in Australia at the time (I actually auditioned for them as a bass player but didn’t get the gig!). Rob Griffiths has kept the band going through the years and found strong pockets of support in far flung places like Japan, Spain and Germany. Our contribution to the record is a version of an early tune What’s the Matter With Mary. We also recorded a much later one called Andy Warhol Retrospective which I’m sure will appear somewhere sooner or later. Michael Barclay was the drummer in the band for some years and Craig Pilkington tends to record most of their stuff so there is a pretty strong connection there. Rob has always written great catchy pop songs and it is a complete honour to bepart of this.